Food for the soul

Posted on by Isabella Muir

Plato advised us that:

‘Knowledge is food for the soul’

I’ve been thinking about this quote, which led me to thinking about books and reading.  I started to read when I was around four years old (according to my mum!).  Since that tender age I have rarely been without a book in my hands.  I was lucky enough to spend my working days editing and even though the subject matter focused on health-related conditions and medicines, it was still fun chasing words around the page.

Now my focus is fiction and my feeling is that people read fiction for a whole host of reasons.   There are times when I just want to read for pleasure, laying in the bath, or sitting in the garden.  The book in my hands gives me the chance to block out all thoughts of chores.  It might be a grabbed ten minutes, or a leisurely half hour (or longer, if I’m lucky!).  I’ve escaped into another world, maybe another time zone and the only interruptions are the birds singing a little too loudly, or the bath water getting cold.

Then there are the times when I read to learn.  As a fiction writer I love to discover the way that other authors approach character development, plot structure or timelines. As a writer I see myself as an apprentice, constantly trying to develop my craft, with years of learning ahead of me.  So, when I come across a beautifully constructed sentence I read it over and over and dream about the day when I can write that perfect piece of prose.

Here are the opening lines from a wonderful book by Ann Patchett, called ‘Bel Canto’:

When the lights went off the accompanist kissed her.  Maybe he had been turning towards her just before it was completely dark, maybe he was lifting his hands.  There must have been some movement, a gesture, because every person in the living room would later remember a kiss.

 

And some more from Rachel Joyce’s tear jerker, ‘The Unlikely Pilgrimage of Harold Fry’:

Harold Fry was a tall man who moved through life with a stoop, as if expecting a low beam, or a screwed-up paper missile, to appear out of nowhere. […] The boy learned quickly that the best way to get on in life was to keep a low profile.’

 

Of course, there is a whole lot more to learn from fiction.  When I read, Helen Dunmore’s ‘The Siege’, I learned about the horrors of the Nazi’s winter siege of Leningrad in 1941, which killed six hundred thousand people.  Helen Dunmore focuses in on the detailed experiences of her characters, to tell a story that affected so many.  They learned to boil shoe leather to make soup, such was the devastating hunger they experienced.  Certainly an eye opener for me and a story that stayed with me long after I finished reading it.

Books also bring us together.  There are hundreds, if not thousands, of book clubs around the country where friends get together maybe once a month and chat.  They chat about the book they have all read, but it’s a great intro to chatting generally and a way of making new friends.  Then there are online forums – The Fiction Café – is a great Facebook group where people can share their thoughts about their favourite books.   Passing on recommendations also means that we can all be tempted to try something we might not have otherwise picked up.

Libraries and charity bookshops are wonderful places, giving us the chance to read to our heart’s content for free, or for just a few pennies.  We are coming into the season of summer fetes and festivals, where I always make a beeline for the book stall!  I am a member of the Chichester Network of Independent Authors and throughout the summer we will be out and about at the local fairs and festivals – maybe I will see you there!

We are a lucky bunch of readers – we have access to books in ways that our parents and grandparents might have only dreamed of.

These are a just a few reasons why people read – how about you?  What makes you dive into a book?  Share your thoughts by adding a comment below.

 

 

 

 

 

What makes a great author?

Posted on by Isabella Muir

I’ve been finding out more about that wonderful Queen of Crime, Agatha Christie.  Having just read her biography, I have discovered some interesting facts about her.  Here are some of them:

  • her ideas for plots, characters and settings came in a random way – she filled numerous notebooks, but there was no order or organisation to her note-taking
  • she lived a busy life outside of her writing and was prepared to try her hand at all sorts of pursuits – even windsurfing!
  • she travelled extensively
  • she loved her privacy.

While reading about her I have tried to deduce what it was about her writing that made her as famous and well-loved as she was – and still is.

Here are some thoughts:

  • Agatha Christie lived for 85 years and was writing for most of those years – her first book was published in 1920 – when she was thirty years old, and she was still getting great reviews for newly published works in the 1970s – fifty years later
  • her books have been translated into numerous languages and have been read by millions
  • it seems to me that her focus was always the story – she loved the psychology of crime – creating twists and turns throughout to keep her readers guessing.

In the words of her biographer:

‘Agatha’s books last because they are good, if sometimes hopelessly improbable stories.  The reader, once hooked, wants to know what happens next.  They deal with myths, fantasies, obsessions shared by people of every sort: quests and contests, death, sex, money, murder, conspiracy, transformation, power, the triumph of the simple over the complex, the importance of the mundane as well as the cosmic.  They construct a pattern, assigning facts and emotions to their appointed place as problems are resolved and guilt and innocence established.’

‘Agatha Christie – A biography’ by Janet Morgan (published 2017)

So, how does all this help a rookie author called Isabella Muir, who has developed a fascination for writing crime mysteries?

Well, by delving into the life of Agatha Christie’s life I can see that she lived a full life – grasping opportunities to explore and to learn about people, places, experiences.  It seems to me that it was a life well lived.  Inevitably that spilled into her writing and her energy and enthusiasm meant that she just kept on going – writing and living.

I’ve been learning from Agatha, at the same time as Janie Juke has been learning from her hero, Hercule Poirot.  Janie has successfully solved two mysteries so far in ‘The Tapestry Bag’ and ‘Lost Property’, with her third – ‘The Invisible Case’ waiting in the wings for publication this June.  Janie and I have a long road ahead – but if we keep Agatha Christie in her hearts and in our heads then we are in good company!

The Invisible Case will soon be available for pre-order on Amazon – watch this space!

Follow Isabella Muir on Twitter @SussexMysteries for the latest news about the Janie Juke mystery series.

Agatha Christie’s secrets

Posted on by Isabella Muir

I’m continuing to follow the trail of Agatha Christie!  (while channelling Janie Juke, of course!)

I have come across a fascinating book, entitled: Agatha Christie’s Secret Notebooks.  The author, John Curran, had the great fortune to have ‘unfettered access’ to all of Agatha Christie’s papers, as well as the hospitality of her grandson, Mathew Pritchard.  Curran then spent some four years delving into over Christie’s notebooks – over seventy of them.  He has done an excellent job, as the book is littered with excerpts from the notebooks, all of which give the reader real insight into the vibrant mind of the ‘Queen of Crime’.

It seems that all Christie needed in order to capture an idea was a blank page – it didn’t matter whether that page was within the cheapest exercise book, or, as Curran puts it:  ‘hard-backed multi-paged notebooks with marbled covers’ which seemed to be ‘more worthy recipients’.

My feeling is that the notebooks became a reflection not only of Christie, the author, but also of Agatha, the wife and mother.  Scattered in amongst her exciting ideas for novels and short stories are the more mundane essentials of everyday life, such as shopping lists and reminders for hair appointments.  It seems that there was little rhyme or reason to the order in which she made her notes. Curran explains:

‘In only five instances is a Notebook devoted to a single title. [otherwise, the] …use of the Notebooks was utterly random.  Christie opened a Notebook […], found the next blank page and began to write.  It was simply a case of finding an empty page, even one between two already filled pages.  And, as if that wasn’t complicated enough, in almost all cases she turned the Notebook over and, with admirable economy, wrote from the back also.’

(from ‘Agatha Christie’s Secret Notebooks’ by John Curran, published 2010)

For anyone who likes to gain an insight into Agatha Christie, the author, this book is a delight.  You can see how her mind was working when, for example, she devised the fatal seating plan for Sparkling Cyanide.  She plays around with various positions for each of the main characters, until she settles on the one that works best for the storyline.

From other notebook snippets we see how she devised her characters.  She tries out names and brief descriptions, amending her ideas later on within the same notebook, or even another notebook.  There is a similar process for her scene plotting, where she allocates letters (for example, A to L) but then moves scenes around until she reaches the one that, in her mind, will work best.

Having read through Curran’s fascinating book, what struck me most was Christie’s ability to juggle with so many storylines, characters, settings and plot twists and turns – with what looks to the outsider as little order or organisation.  It seems that she was literally bursting with ideas.  It is no wonder that she was such a prolific author and that her books continue to be just as popular more than forty years after her death – and almost one hundred years since the publication of her first crime novel: The Mysterious Affair at Styles.

Which brings us back full circle to Janie Juke’s first mystery: The Tapestry Bag, where snippets from this first of Christie’s novels provide Janie with a subtle helping hand.

More about Agatha Christie soon!

On the trail of Agatha Christie

Posted on by Isabella Muir

In the Janie Juke mystery series, my protagonist, Janie, refers to her passion for Agatha Christie novels.  In particular, Janie loves the stories featuring Hercule Poirot and has learned many of her investigative skills from him.  As she tackles the mysteries occurring in Tamarisk Bay, she draws on many of Poirot’s techniques to follow the trail of evidence to solve the crimes.

So, I’ve been following my own trail!  With the wonders of the internet it’s easy enough to discover the facts and figures about Christie’s incredible writing career.  For example,  I learned that Poirot featured in thirty-three of her novels, whereas Miss Marple featured in just twelve.  This was despite the fact that Agatha herself described Poirot as an ‘insufferable’ man.

The statistics of Christie’s writing career are astonishing – her novels have sold more than a billion copies in English and a further billion or more in translation (in 103 languages).  In fact, a Wikipedia article suggests her books are second only in popularity to the Bible and Shakespeare.

But it was a story of another trail altogether that helped me to learn a little more about Agatha Christie, wife and mother.  In 1922, aged 32, she accompanied her first husband, Archie, on a ten-month voyage around the world – South Africa, Australia, New Zealand, Hawaii and Canada.  Archie had been invited to join a trade mission to promote the British Empire Exhibition, due to take place in 1924.  Agatha was determined to go with him, even though it meant that her two-year-old daughter had to be left behind, in the care of Agatha’s sister.

The Grand Tour is a wonderful collection of photos, newspaper cuttings, journal entries and letters and has been edited by Agatha Christie’s grandson, Mathew Pritchard.  Agatha frequently wrote home to her much-loved mother, telling her of all the fascinating places they visited and the interesting people they met.

Reading through the letters and anecdotes has given me a wonderful sense of Agatha as she was then, observant, intrigued, ready to take on new challenges.  Here is one snippet that made me smile:

‘I made a lot of discoveries about fruit.  Pineapples, for instance, I had always thought of as hanging down gracefully from a tree.  I was so astonished to find that an enormous field I had taken to be full of cabbages was in fact of pineapples.’

(from The Grand Tour, edited by Mathew Pritchard, published 2012)

Once they arrived in Honolulu she was determined to try her hand at surfing and with perseverance started to master the sport:

‘After ten days I began to be daring…The first six times I came to grief …[but] Oh, the moment of complete triumph on the day that I kept my balance and came right into shore standing upright on my board!’

(from The Grand Tour, edited by Mathew Pritchard, published 2012)

There are so many wonderful snippets in this book and it is easy to see how the things she experienced during her travels influenced her writing, helped shape her characters, her settings and her plotlines.

As authors, we are encouraged to ‘write what you know’ – well, a trip around the world certainly helped the famous ‘Queen of Crime’ to expand her knowledge, so that nearly one hundred years on we are still enjoying the benefits.

EARLY ONE MORNING

Posted on by Isabella Muir

(by Virginia Baily, published 2015)

A kind friend lent me this novel when he discovered I was interested in learning about what life was like in Italy during the Second World War, as part of the research for the third book in the Janie Juke mystery series.  The perfect about this storyline is that it is set in the very year and region that I had been focused on – Rome, 1943.

This was the year when Italians changed their allegiance and the English went from being their enemies to being their friends.  In truth, I am sure that for average Italian the English were never considered the enemy – but with Mussolini choosing to be pally with Hitler, well, it didn’t bode well.  Then, after a ‘vote of no confidence’ in July 1943 Mussolini was arrested and in October that year Italy declared war on Germany.

Early One Morning captures all of the difficulties of life at that time.  It has a powerful start, with the protagonist, Chiara, saving the life of a young Jewish boy – Daniele – when his family is rounded up by German troops.   As the story unfolds we learn how that single moment has devastating results for Daniele and Chiara for years to come.  We meet Chiara again in the 1970s to discover how she copes when she receives an expected phone call.  A phone call that brings back memories she had hoped to forget.

The tale is beautifully told, well written, and full of detail that helps the reader to see, smell and taste what life was like in Italy in the forties and again in the seventies.  It was during the seventies that I made many of my own trips to Rome, with family and with friends.  My memories of pizza al taglio is perfectly described here:

‘Customers were coming out of the baker’s, clutching pieces of something hot, wrapped in waxed paper, biting into it before they even got out of the door, so irresistibly delicious was it.’

And here, a description of one of Rome’s famous squares:

‘…Piazza Navona, with the three fountains, the water bouncing off the great white statues now and sparkling in the bright midday sunshine.’

All in all, the book was a joy to read and took me back there to that place and that time, without me ever having to leave my house!

 

 

 

A brave lady

Posted on by Isabella Muir

I read an article this week that made me feel sad and inspired, in equal measure.  It was an interview with the daughter of the wonderful, and much missed, Helen Dunmore.

I have loved Helen’s writing since I first discovered her novels, maybe 15 years ago or more.  The first title of hers that I read was, A Spell of Winter, (published 1996) and since then I have gone on to read several more, including, The Siege; House of Orphans; The Greatcoat and The Lie.  

Right now I am in the middle of reading Exposure, published in 2016, just a year before she died.

I haven’t read any of her poetry, but it is her eighth collection of poetry, Inside the Wave, for which she was awarded a posthumous prize of the Costa Book of the Year.  Her daughter, Tess, and her son, Patrick, received the award on their mother’s behalf.

“Poetry was in Mum’s soul,” Patrick Charnley told the audience, thanking her poetry editor, Neil Astley, in particular. “This collection contains some of the most beautiful writing she completed in her life and it came at the time of her death. It is so personal and so wonderful, we hope it will touch a lot people who face this thing that we all do.”

(excerpt from The Guardian, 30 January 2018)

Two weeks before she died, Helen wrote a poem for her children.  She was creating even then.

Her daughter, Tess, explained how Helen had been so incredibly brave during her last months and weeks.  She said that her mother approached death with ‘such grace’ that it took much of the fear away.  Quite a gift to give someone when you know your time is up.

Her daughter explains:

“I think although her world got smaller, she couldn’t go out so far afield, she continued to just see the beauty in everything – which I find very inspiring.

“She just made the most of every single day until she died.”

 (excerpt from BBC News, 31 January 2108)

Tess is right.  Helen Dunmore has been an inspiration, not only to her family and friends, but to the millions of readers who have marvelled at her writing.  Let’s hope she knows what a difference she has made and how her legacy will continue.

Nanowrimo – one year on

Posted on by Isabella Muir

One year ago I accepted an invitation.  I didn’t know then that it would be an acceptance that  would change my life.  Perhaps that sounds a little dramatic?  Nevertheless, when I look back over the last twelve months and catalogue the differences, it feels like a fair assertion.

The invitation came from Authorlab colleague, Chris Paton who writes as Christoffer Petersen.  ‘How about joining in with Nanowrimo?’ he asked me.  Back then, I didn’t know much about the forum that encourages authors to write up to 50,000 words during the month of November.  The forum works on the basis that online writing buddies support each other through the ups and downs of putting together the first draft of a novel.  Chris and I spurred each other on.  During that month I worked to complete a novel I had started for my MA in Professional Writing.  The novel, Forgotten Children, had itself been forgotten and it was a good feeling to re-immerse myself in the plot and get to know the characters.  I didn’t achieve my 50,000 words, but by the end of the month I had got into the habit of writing daily.  More than a habit, that daily writing became a comfortable addiction.

By Christmas 2016 I had finished the draft of Forgotten Children and sent it out to friends and family for comment and feedback.  But I wanted to keep writing.  In February 2017, while strolling along a beach in southern Spain with my faithful Scottie dog, Hamish, I had an idea for another novel.  Continuing my daily writing habit, I started drafting.  Then in April, Chris suggested we commit to Campnano, which works in a similar way to Nanowrimo.  With a daily target to push me on, I managed to complete the first draft of The Tapestry Bag.  During the spring and summer I beavered away drafting and re-editing until I was ready to send The Tapestry Bag out to the world.

While writing The Tapestry Bag I got to know my key character, Janie Juke, very well.  So well, in fact, that I realised she deserved a series of stories.  Janie is a young and unlikely librarian who has a passion for Agatha Christie novels and sees herself as a budding Hercule Poirot.  The Janie Juke crime mystery series is set in the late 1960s in Tamarisk Bay, an imaginary seaside town, modelled on my home town of St Leonards-on-sea.  As Janie goes about her library work she discovers many of the characters in this sleepy resort are not quite what they might appear.  She cleverly weaves her way through a puzzle of clues, unwrapping secrets and challenging lies.

The second Campnano in July helped me to complete the second in the Janie Juke mystery series, Lost Property, where Janie is approached by a Second World War pilot to track down an old friend.  In Lost Property Janie teams up with local journalist and friend, Libby Frobisher, and between them they delve into the past in order to solve the mystery.

Janie Juke Promo 02

In between drafting the two books in the Janie Juke mystery series I’ve been delighted to learn about the successes of two other Authorlab colleagues.  Continue reading Nanowrimo – one year on

Drilling for gold

Posted on by Isabella Muir

When you write fiction you literally have the world at the end of your pen (or computer keyboard).  You can choose to construct characters who are not like anyone you have ever met.  They may not even be human.  Your plot can be as complex as a journey across the universe, or as simple as afternoon tea on the riverbank.  Your aim with every word you write is to take the reader to another place, to help them to escape from their everyday world for just a few minutes, or a few hours.  You are giving them the chance to be somewhere else without ever leaving their comfortable armchair.  That place you take them to has to be as vivid as you can make it.

Think about some of the greatest books you have read.  What stands out for you in your memory?  Let’s just consider some of the classics.  In Charlotte Bronte’s  Jane Eyre Thornfield Hall is the perfect setting for the dour Mr Rochester, can’t you just see the dusty, dark corridors and imagine the fear that Jane must have felt when she heard the screams from the ‘lunatic’ Bertha Rochester who he kept in a ‘third-storey room’ which she made into a ‘wild beast’s den’.

In Oliver Twist Dickens describes the place where Fagin and his ‘boys’ live:

‘high wooden chimney-pieces…cornices…black with neglect and dust..Spiders had built their webs in the angles of the walls and ceilings…the mouldering shutters were fast closed…and the window of ‘Oliver’s observatory was nailed down, and dimmed with the rain and smoke of years’.

Masterful.

But as writers of fiction when we consider setting we need to do so much more than focus on a place.  Yes, knowing whether your story takes place in England or Zambia, town or country, garden shed or high-rise is a part of it, but this is only the beginning.  There are so many more elements to setting than location.  Let’s run through some of them…

Cultural influences
Once you have decided on the location for your story, think about the way the culture of that place may influence your characters.  Are there particular local customs that could provide an interesting angle to your story?  Your characters don’t have to be in an exotic location to be affected by tradition.  Your setting may be an enclosed place, such a prison or care home, with its own set of rules and traditions.

There may be a particular accent related to your location that you can represent in some of the dialogue, or certain food delicacies that are renowned locally.

Population
Do your characters have to cope with rush hour commuters, or can they enjoy comfortable isolation? Does the population of your setting vary with the seasons?  A seaside town is packed with day-trippers and holidaymakers during the summer, but on a cold, wet February day it might be possible to walk along the seafront and not meet another soul.

Society and politics
What is the era for your story?  Are there any political events that might influence your characters?  As part of your research it might be worth checking to find out whether any life-changing laws were passed in the year you have chosen for your plot.  Take, for example, the difference in UK cities before and after the Clean Air Act of 1956.  What about more recent events like the UK decimalisation of 1971 – are your characters still dealing in pounds, shilling and pence?

Time and place
Think about the landmarks in your location.  When were they created?  When were they destroyed?  By investigating a little you can really give your reader a sense of your setting at exactly the time your story is unravelling.

Geography and climate
Of course, the geography of your setting may be the first thing that comes to mind.  Forests or mountains, lakes or fields.  The landscape will affect your characters in all sorts of ways. Does your character enjoy cycling along the flat country lanes of Norfolk, or prefer mountain biking around North Wales.

The climate can have a significant effect on your story and your characters.  Are they huddled up in winter coats during a severe winter, or basking in the heat of a summer that breaks all records?  Researching weather patterns can help with scene setting, but we are writing fiction, so if you want to make your summer the hottest for twenty years then go ahead, your reader will enjoy feeling that warmth and probably won’t be diving into the internet to check the temperature records.

Atmosphere
We all know that the weather can affect our mood.  It makes sense therefore that your characters may be temporarily cheered by the first signs of spring, despite the traumas they may have just experienced.   But the atmosphere of your setting is more than temperature.  How might your protagonist feel when she stumbles through a dark forest at dusk?  What about someone who has spent their life outside, growing up on a farm, who suddenly finds themselves in a cocktail bar heaving with sweaty people.  How might he feel when he has grown up listening to birdsong and his ears are now bombarded with a head-banging disco beat?

James Frey in How to write a damn good novel II cites examples of some of the great novels that have contrasted characters with their setting to create real page turners.  In Gone with the wind Scarlett O’Hara is a ‘Southern belle, born and bred to be pampered’ put into a ‘war-ravaged country where she has to grub for roots to survive’.  In Jaws the sheriff, Brody, can’t swim and yet is put into a boat ‘during a hunt for a man-eating shark’.

Time
Naturally the time of day will influence your setting; whether it is light or dark, time for breakfast, or time to settle down for a drink before bed.  You can use the interaction between your character and the setting to express emotion.

Remember that your reader will have certain associations with particular times of the day or night.  If your protagonist is walking out at midnight, down an unlit street your reader may feel fear and expect something bad is going to happen.  But perhaps you want to suggest to your reader that there are other ways of looking at the world.  This may be the moment she comes across her soulmate as he is walking home from shift work.  The event is crystallised in time, a story recounted to their children and grandchildren on each wedding anniversary.  Something about the way you describe that setting at that particular point in your story will lead your reader down a certain path – even if you include a few moments of surprise first.

As well as the time of day we have the seasons to consider.  The short days of winter, the long days of summer – each giving rise to different pastimes, different work patterns.  With the seasons come national holidays – Christmas, Easter and personal holidays, like birthdays, anniversaries.  If your story involves other cultures remember that there may be other festivals to consider, such as Passover or Thanksgiving.

In Anita Shreve’s The Pilot’s Wife Kathryn reminisces about Christmases spent with her husband (who has since died).  They are driving and:

‘her stomach is so full from Julia’s Christmas dinner that she has to flip the seat back to make herself more comfortable’.  She describes ‘the cream-coloured sweater that she knit for him their first winter together…[that he wears].. loyally each Thanksgiving and Christmas’.

As you take your reader with you on that special journey into your story world, drill down as far as you can into the detail of your setting, for that is where you will find the gold…

Do you have favourite techniques when it comes to scene-setting?  What tips can you suggest?  What about your most-loved novels – how have best-selling authors accomplished the scene-setting in their stories?

Share your thoughts by leaving a comment below.

Goodbye and thank you

Posted on by Isabella Muir

Two weeks ago, I woke to the sad news that one of my favourite authors had died.  She had dealt with her illness privately and with courage, which meant that many of her readers may have been as shocked as me at the news.  Helen Dunmore was just 64 when she died.  Much too young.

I first came across Helen’s novels about 10 years ago.  I think A Spell of Winter was my introduction to her beautifully crafted writing.  Since then I have read many more and marvelled at every one.  What’s more, on a visit to the London Book Fair in 2014, I was delighted to discover Helen being interviewed in the PEN Literary Salon, talking about her latest book.

Her writing is meticulously researched so that the reader is immersed in the setting and the period.  She quite literally takes you on a journey back in time and you feel as though you have met the characters and experienced the hardship and challenges they face.

For anyone who hasn’t yet explored Helen’s writing, I have provided a flavour of her work here, by taking a look at the last couple of novels I’ve read and given a taster of one I have on my reading pile still to look forward to.

The Siege – first published 2001

This is a harrowing tale, describing the siege of Leningrad in 1941.  The novel describes the bigger picture of how the second world war affected the lives of Russians, while focusing in on the desperate daily tragedies the German blockade inflicted on them.

Some of the images that Dunmore conjures up, of families being so hungry they boil shoe leather to make soup, stayed with me long after I turned the last page.

Dunmore writes:

‘Everyone now knows what it takes to keep life in a body.  You can be separated from your life so easily.  It might happen in the street, or in the bread queue, while you’re typing or while you’re sleeping.  You can die from a cold, an ear infection, or a miscarriage.  If you have a stomach ulcer it will open and bleed.  You can die so casually these days.’

The House of Orphans – first published 2006

The House of Orphans is set in Finland in 1902.  It tells the story of Eeva, an orphaned girl who is sent to a country orphanage when her father dies.  But Eeva has a strong will and steadily battles against the challenges that her impoverished life throws at her.

Eeva has never forgotten her children friend, Lauri, who is now caught up in the resistance movement.  Lauri is drawn into terrorism as he joins others to fight against the attempts of Russia to impose its rule on Helsinki.  But Eeva shows him that there is another way of living, that it’s possible to live with hope in your heart, rather than hatred.

Dunmore writes:

‘There would be no next, he knew that now.  Not for him.  Whatever it took to make a people’s martyr, he hadn’t got it.  They had shown him photographs of a row of dangling men.  But when he looked closer there were women as well.  They had their skirts tied at the ankles, for decency.

He would go away, with Eeva.  They did not have to stay here.  He had never thought he would really leave his country for ever, but then he’d never felt like this before.  It seemed to him that the sun had stopped shining on his life here.  He was living in an eclipse.  If he stayed, nothing lay ahead of him but weariness and risk and a long blunder through darkness towards a goal that he wasn’t even sure he wanted to reach.’

The Lie – first published in 2014

In The Lie Helen returns to the first world war, but this time the setting is Cornwall, where a young man remembers his experiences in the trenches.

I have yet to read this novel, but the Guardian says of this book:

‘The Lie is a fine example of Dunmore’s ability to perceive the long vistas of history in which the dead remain restless…It is a book in which ghosts, perhaps, remain imaginary: but they are none the less real for that.’

And the Times Literary Supplement says:

‘The Lie is a substantial work, and Dunmore is able to crystallize tragedy in a simple sentence.’

What is evident from all of Dunmore’s novels is that she is doing so much more than telling a story.  She is allowing us to see these periods of history through her eyes, eyes that are sharp and wise, and through her beautifully crafted prose.

She has received many plaudits, winning the McKitterick Prize, the Orange Prize and the TS Eliot Prize, and was longlisted for the Man Booker Prize for The Betrayal in 2010.  As well as 15 novels, Helen Dunmore has written many children’s books, young adult books and poetry.

Helen Dunmore was taken from us too soon, but she will continue to live on in her writing and in the minds of her readers.  I, for one, am grateful for that.